Endings and Beginnings
So the Catherine Fitzmaurice 5 day ended, and since then it feels like I've been going a mile a minute (So naturally I haven't updated). I've been singing, dancing, and watching Tony award winning theatre (though if you know anything about me you know I don't really approve of the tony's). It's been a wild few days, so let me try to recap:
Rubbing Elbows with Famous People
I've spent a few days singing with Judy Blazer and Christopher Stephens. They may not be what Laymen would call 'household names', but they have certainly made careers out of performing, and in my book that makes you pretty spectacular. Also, I got to spend a few nights with Chauncey Jenkins, a young man who's performed on multiple broadways tours and had his final callback for Benny in "In The Heights" on Broadway. In my ballet class at Steps yesterday, we had one of the Rockets coming to do a little brushing up. Being up here is certainly humbling and eye opening, and it makes me really glad that I have two more years in school to get my act together and learn how to be a professional actor, 'cause I'm a long way from being ready.
The Young Review: Fences
One of the first plays that I ever read, Fences holds a special place in my heart. I first read it in Daydrie's beginning acting class, and it was very powerful, even back in the days when I struggled to read plays from an actors point of view. The story is an enrapturing one of the struggles of a Father trying to survive his daily toils, a wife trying to hold together a family, and a son trying desperately to make his way in the world. Denzel Washington is a fantastic actor; I've never heard anyone once complain about his acting in a movie, and he was just as impressive live. His sense of play was fantastic, he was in complete command of his voice and his movement throughout the play. The character arc, already expertly constructed by August Wilson, was one of the most impressive and touching I've ever had the opportunity to experience live. Holding her ground opposite the mega-star was the equally famous (and talented) Viola Davis. She, too, gave me an excellent sense of 'first time', which after the countless shows they've performed I find very impressive. The rest of the cast, not quite as lauded, brought it hard. There was not a moment in the play where I lost interest or felt that the characters were contrived. My biggest point of contention was with the audience. At every plot twist, gasps rang out in the audience. By the middle of the second act, when Troy reveals he has had a child by another woman, the young couple sitting next to me sighed and said "I guess no one read the play before coming." That made me happy, and sad; happy that I wasn't alone, but sad that right now, it seems star power is the only thing keeping Broadway rolling forward. But in this instance, Mr. Wilson, Mr. Washington, Mrs. Davis et al lived up to the hype; nay, EXCEEDED it.
The Young Review: Next to Normal
I went into this show prepared for a tear jerker, only to learn that no amount of preparation can ready you for a great piece of drama. With a set and lighting design that was far from realism, this show rang with the purest of human emotions and a real story that touched anyone with a pulse. The music was absolutely fantastic, and I believe that shows like this prove that the American musical is still capable of bringing original stories and music to the public in ways that are meaningful and touching. The set consisted of three levels of scaffolding with wall dividers that moved in and out rapidly, creating really cool effects and a very versatile set. The lighting was powerful and moved the story along masterfully. The actor playing Gabe was fantastic, but he is without a doubt the most gifted young singer I've ever heard live. He moved effortlessly between an impressive upper register and his falsetto (both of which were used frequently). The young girl playing Natalie had a pretty good voice, but watching her acting was very frustrating. She almost never made eye contact with her partner, something that I cannot believe was truly a character choice. However, she had the voice, the look, and the off-broadway resume to take the role to Broadway, so I suppose sometimes it is better to be lucky than good. The actor playing Dr. Fine/Dr. Madden looked EXACTLY like Zach Braff, and he even sounded like him (something I found both ironic and pleasing). Between Him, Alice Ripley, and Brian D'Arcy James' stand in, there were some incredibly powerful scenes. From the moment the show began, Alice was bringing it. Without a doubt, she deserved the Tony for Best Actress in a Musical. But one of the most frustrating aspects of the show was her singing diction. There were moments where her poor vowel construction actually caused her to go flat, something I would not expect of a headlining professional actress. Forgive me for having such high standards, but come on: this IS broadway we're talking about.
The Home Stretch
So I'm in the final days of my great summer adventure, and there's still plenty on the horizon for me. I'll try to do better on keeping this thing updated for the 3 of you who are bothering to read this!